Alterton Bizarre
"I’ve never known anyone with more enthusiasm for sculpture and sculptors than Argentinean sculptor Alterton Bizarre. Alterton’s Sculptor’s Corner was the first online gallery I joined. Mr. Bizarre works in epoxy putty, the most unforgiving sculpture material known to modern man. You have to have the patience of Job, the work ethic of a stone mason and be fleet of hand and sure of eye to be able to beat the damn stuff into submission. He has all of that and a mode of expression that would make the entire crew of a pirate ship blush. In addition, he is a doctor of dentistry and orthodontics. But don’t call him Doc. He promises to 'kick your fat ass' if you do. How he knows I have a fat ass, I don’t really know." - Tim Bruckner
Jon Matthews
"Translating a piece of 2D art into 3D is a challenge every hands-for-hire sculptor faces throughout their career. The nature of the art, and how stylized or impressionistic it is, often determines how successful the translation, but to translate a piece of 2D art into 3D and perfectly maintain its 2D character is damn near impossible. Jon Matthews achieved the impossible in sculpting Mike Mignola’s Batman for DC Direct’s Batman Black and White series. When I first saw the solicitation picture, I thought, like most everyone else, that I was looking at a Mignola illustration. Maybe Jon didn’t have time to finish the piece and so they used Mignola’s art in the interim. When I learned that I was looking at the actual statue, I was gobsmacked, as the English say. It's a brilliant piece of sculpture. I’d never seen anything like it. His solutions to a variety of difficult problems were elegant and inspired." - THB
"I’ve been thinking about how to introduce my friend, Tony. I’d thought about extolling his virtues as an artist. I’d considered mentioning his genuineness. His down to earth, easy-going, joyful spirit. Maybe touch on his steadfastness as a friend, his loyalty and integrity. I could have opened with his compassion; he is a true blue dog lover and a man on intimate terms with Mother Nature. (Its okay, his wife knows). His devotion to old TV shows and classic movies, in particular, horror movies that open with a miniature plane circling a rotating globe. A die-hard Beatles fan and the only other guy I know who listens to the Beau Hunks and their impeccable renditions of music from Laurel and Hardy and Little Rascal films. But, I suppose it makes more sense here, to discuss Tony, the sculptor. There ain’t nothing Tony can’t sculpt. He thinks with his fingers. He doesn’t over analyze, doesn’t get bogged down in minutia. He sculpts until its right and when it is, and he’s done and moves on to the next piece. He’s not as well-known as he should be., but if reputation were a direct result of talent, Tony would have his own network prime-time TV show." - THB
"Karen Palinko's got game! Animated characters? No problem. Superheroes? Bring it on! Portraits? Did that statue just wink at me? Not only does she sculpt, she molds, casts and paints her own stuff. A triple threat! In a business currently being driven by technology, Karen does it the old-fashioned way: with hands, head and heart, an abundance of talent and the most basic tools of the trade. The result? He work is inventive, thoughtful and down right beautiful. As a true professional, her focus is on the work. Looking at a Palinko piece, it's almost impossible to imagine adding or taking anything away that wouldn't undermine the sculpt's integrity. And that, my friends, is game!" - THB
"Kat Sapene is one of the finest painters I’ve known. And that’s saying something. I’m a geezer, I’ve been around a long time and have known many painters. She is one of the best. Aside from her chops, one of the things make makes her work so good is her focus on the needs of the sculpture. She never showboats. She never does more or less than what will make sculpture the best it can be. And speaking as a sculptor, ain’t nothing better than that. Take a good look at how she handled the Jailhouse; the rust on the bars, the cast light from the lantern, the wear on the stone work. And those stripes! Those stripes! No small feat, that." - THB
Jim McPherson
Starting in the '80s in the makeup and special effects industry, Jim McPherson has long been involved in the creation of characters though sculpture. Jim has worked with Rick Baker's Cinovation Studios on Gremlins 2, The Nutty Professor, Matinee, Men in Black and Planet of the Apes. Jim is now 3D Art Director at Gentle Giant Studios. The studio did visual development on the character designs for Tim Burton's Alice in Wonderland and many other films, and the Digital Sculpting team has worked on many projects, including Sega's Golden Axe, where it was involved with designing and modeling many of the game characters.
Starting in the '80s in the makeup and special effects industry, Jim McPherson has long been involved in the creation of characters though sculpture. Jim has worked with Rick Baker's Cinovation Studios on Gremlins 2, The Nutty Professor, Matinee, Men in Black and Planet of the Apes. Jim is now 3D Art Director at Gentle Giant Studios. The studio did visual development on the character designs for Tim Burton's Alice in Wonderland and many other films, and the Digital Sculpting team has worked on many projects, including Sega's Golden Axe, where it was involved with designing and modeling many of the game characters.